I was in the middle of trying to organize some of my short stories for another project when I spotted Lani Young’s Instagram post. She was sending out a call for original short stories written by Pacific Island women for Va: Stories by Women of the Moana. The cover was stunning.
Fantastic! I have the perfect story in mind!
I reached out to Lani for more details. She told me she and Sisilia Eteuati were starting a new press called Tatou Publishing. The submission window for their first anthology was only two weeks long and closing on November 30th, in about twelve days, because publication was scheduled for Dec. 23, 2021.
It was like getting hit in the head by a falling coconut.
I didn’t have time to write a new story. I didn’t even have time to complete the projects I’d already committed to. A publication date about three weeks after the submission window closes is cray-cray. It’s beyond bold and non-traditional, it’s the kind of thing only true visionaries do, visionaries who see possibilities around corners, who get in their voyaging wa’a armed with a mental map of the stars and calabashes of water and taro and start paddling because they know they’ll find land. It’s out there. ‘Nuff waiting around for other people. Time to hele on out and go.
And I really wanted to be part of that expedition. But time. Life. Crap.
But I had just been going through my files trying to get a handle on what was published, what wasn’t, what needed some editorial TLC, and what needed to be chalked up to experience and deleted. As I looked over my files, I thought there were three possibilities. Long shots, honestly, since they’d already been rejected by other publishers.
“Brothers,” a contemporary MG/YA magical realism story, about 1500 words; “Close Encounters,” a contemporary adult flash fiction thriller, about 680 words; and “Nana‘ue,” which walked the line between an adult fable and magical realism and was based on an old Hawaiian legend and set in the ancient past. At 4,000 words, “Nana‘ue” was also significantly longer than the 3,000 word max they were looking for.
And each story had a shark at its heart.
I can’t submit these. They’ll think I’m crazy, a crazy shark lady. They’ll think all I do is sit in my office in the desert thousands of miles from the Hawai‘i and worry about sharks like some Jaws freak. Just sit your ‘okole in your chair, Lehua, and write the story you know they’ll like, the one that’s been itching behind your eyes for over five years.
And for about four days, I tried. But time. Life. Crap. As the clock ticked down, it was time for some hard truth.
If not for this anthology, then where? Who else is going to get what you were trying to say in these stories? And yeah, they’re all shark stories, but this anthology is for Pacific Islanders—sharks are ‘ohana. The worst they can say is, “No thank you.” Well, no, the worst they can say is, “WTF were you thinking? These stories suck. Please don’t waste our time again.”
But really, they’ll probably just say no.
So I did what I tell all my critique partners and students to do: chance ‘em. Full send. All three stories. Maybe they would pity publish one of them.
Maybe.
Remember when I said Lani and Sisilia were starting something new? This publishing experience has been very different. Within a few hours of submitting, I received enthusiastic feedback from Sisilia and Lani on all of my stories. They wanted all three.
At the time, I was excited. Now after reading about a third of the galley copy I have of Va: Stories by Women of the Moana, I’m humbled. The voices, the lived experiences, are raw and honest and incredible. I’ve laughed and cried and thought yes, sistah, I see you.
38 different women of moana wrote about 50 original works, resulting in more than 98,000 words in the anthology. The initial presales placed it #1 worldwide on Amazon in Pacific and Oceanic Literature. Just think about that for a second. According to traditional publishers, none of these stories nor the audience should exist.
Some of the stories and poems in Va: Stories by Women of the Moana don’t adhere to a western idea of story. They’re vignettes, slices of real life and characters that will stay with you long past their reading. I think that’s perfect because these are our stories, in our voices, no filter, no apologies. I find I’m reading my copy slowly, savoring the words, enjoying the journey.
I’m so glad I jumped in the Va canoe. We’re all paddling as hard as we can. We know land and our audience is out there. Meanwhile, I’m going to write the next story, the one I keep putting off, because now I have a destination to sail toward. And I have to wonder how many other Pacifica stories are going to be written and read simply because Lani and Sisilia have shown the way?
Va: Stories by Women of the Moana is available from Amazon, iTunes, Kobo, Smashwords, and other retailers. It’s a trip to the islands from the comfort of your couch for about the cost of a fancy coffee. Check it out. These aren’t the islands you think you know. It’s life, not a vacation.
#realrep #Va #TatouPub #PasifikaBook #Hawaiistories
Lehua Parker is being overly MODEST- I think our exact words apart from YES PLEASE were “Each of your stories is stunning- and we would feel very privileged to include them all. They are each beautiful and clever in their individual way. We love the idea of including all of them as it is a masterclass on how to use a central idea or theme in completely different ways….
this is how legends unfold! ” I am so grateful for your stunning stories Lehua. I am STUNNED that other publishers turned these beautiful stories down- their loss is definitely our gain. Finding myself, over and over again, has been incredible and being a small part of getting them out into the world has been the privilege of a lifetime. Fa’afetai mo lou fagogo- thank you for your story. Alofa atu, Sisilia