by Lehua Parker | May 15, 2019 | Book Reviews & Announcements, Island Style, Pacific Literature
Here’s da ting: according to Lee A. Tonouchi, “People BORN Pidgin, gotta be free for LIVE Pidgin.”
He’s not wrong.
In this short treatise derived from his real world experiences in mastering and teaching English in Hawaii, Lee Tonouchi—Da Pidgin Guerrilla—demonstrates that not only Pidgin speakers CAN, they CAN with eloquence, intellectual rigor, and knuckles bruised in schoolyard scraps, call out the biases endemic in anti-Pidgin rhetoric and the cultural erasure politics of the myth of Standard English.
But da buggah wen tell ‘em more bettah in Pidgin, yeah? More easy for unnastand without all da haolified words and phrases.
Living Pidgin: Contemplations on Pidgin Culture by Lee A. Tonouchi and published by Tinfish Press is a scholarly dive into what makes a language, who are its guardians and keepers, and how language is identity. Don’t let the size of this book fool you—the thoughts and ideas run wide and deep in this collection of talks and concrete poems.
Like Lee, I learned early on that Pidgin speakers were more defined by perceptions of what they couldn’t do than the realities of what was possible. I’m passionate about islanders telling their own stories in their own words. And as any Hawaiian islander will tell you, when it comes from the heart, it’s in Pidgin.
Fo’real.
Living Pidgin: Contemplations on Pidgin Culture by Lee A. Tonouchi is available in paperback from Amazon.
by Lehua Parker | Jul 20, 2018 | Mana'o (Thoughts), Slice of Life, The Business of Writing
It happens to all of us. You have a great idea for a story. You sharpen pencils. You plot. You get excited. And then…
FIZZZZzzzzzzzz.
Writer’s block.
I think in my case it’s a trifecta of summer, life changes, and I just don’t wanna.
But I gotta.
So for all of us in the same boat who really need to paddle, but would just rather drift, here’s a clip from the musical Starkid Firebringer. Sing it, sister.
And now back to the grind.
I got a deadline and this story won’t write itself.
Sigh.
by Lehua Parker | Jul 6, 2018 | Mainland Living, Mana'o (Thoughts), Slice of Life
Okay, MoviePass. I really liked your original offer—for $10 a month I could see up to a movie a day in a theater. It was a great opening line, and it made me want to get to know you better. Over the last seven months, you and I have been on 49 dates to the movies. We’ve seen blockbusters, small art house flicks, and quite a few flops that would’ve made me really annoyed if I’d paid full price. But because I wasn’t, I took a chance. We’ve patronized big theater chains and also small-town Mom and Pop theaters and independents.
And I always bought popcorn and drinks.
Milk Duds, too.
Always.
In the beginning, you were great. If I loved a movie, I could see it again with another friend. But then you got jealous and said I could only see a movie once.
That wasn’t what we originally agreed to. Going into this relationship, you said a movie a day. You know and I know it’s impossible to see 30 new movies a month—there simply aren’t that many released. But when I pointed that out, you whined about the cost and then accused me of being ungrateful. If I wanted to continue our relationship, you said, you had to rein me in.
Fine. I stopped seeing a movie with my son and then again later with my daughter or husband. Fewer movies meant less money spent on over-priced concession snacks for theaters. I also stopped dragging my friends who don’t have MoviePass to movies I’d already seen, even though I knew they’d love them and wouldn’t go on their own.
See what you did there, MoviePass? You’re such a wet blanket.
We won’t even talk about the nightmare it was when I broke my phone and had to get MoviePass set-up on a new device. Due to your minimum of a month on a device rule, I’m still dragging an iPad around to the movies even though my phone’s fixed now.
But back then our relationship was still new and full of promise. It was easy to ignore a few hiccups.
Next you insisted I send you a photo of my ticket. If I didn’t, I’d be in trouble. Your app hijacks my phone’s camera like an overzealous bouncer confronting a teenybopper at a night club.
Controlling much? Just what did that inconvenience prove? That I had a ticket in my hand to a movie I could only see once? Do you have any clue how small-town theaters work? Most of the time they don’t give you a ticket. You pay at the door and simply walk into the theater to see the one movie playing that night.
Now when I go to my local theaters, I’m the pain-in-the-butt who holds up the line while the cashier asks her dad, the owner, how to provide me with an actual ticket and not a credit card receipt. He has to stop filling bags of popcorn to figure it out himself.
That’s two lines of people inconvenienced.
Thanks for that.
And now, now you’ve shown your true colors.
Today you rolled out Peak Pricing.
Basically, Peak Pricing is a way for you to charge me more for showings and movies you think are in high demand. You get to decide which showing of which movies are flagged as Peak. You can’t or won’t explain how that algorithm works. But if a movie is Peaked, you’re going to charge me an additional amount to see it, somewhere in the $2-6 range. I won’t know for sure if a movie is Peaked until I’m standing outside the theater, ready to purchase my ticket. But I’m not supposed to worry. You’ll just automatically charge the additional fees to my credit card which you have on file. You also say this program is rolling out nationally and will affect EVERY theater you serve.
And this is where you prove that you’re really not the hero on a shiny white horse, but an abusive, really bad boyfriend, couching your atrocious behavior as being for my own good.
Out of the 49 times I’ve been to theaters in the last seven months, only twice was the theater sold to near capacity. Twice. In my neck of the woods, blockbusters on opening night, prime ticket times, fill a theater maybe one third to half full. There is no reserved seating at any of the six theaters in a 30 mile radius of my home. Movies are offered no more than twice a day during the week and maybe three times a day on weekends and holidays as a matinee and two prime time. We’re not talking multi-show multiplexes here. So, because you decide the demand is Peak in New York or California, I’m forced to pay a surcharge to sit in an empty theater.
Brilliant.
And, yes, I’m aware that matinee movie tickets are cheaper than evening showings. But you knew this going into our original agreement. If you wanted to restrict when I could see a movie, you should’ve told me upfront and before we got involved and you led me on. And unlike your business model which now charges a surcharge for seeing a high demand movie at a convenient hour, theaters DISCOUNT matinee showings from their regular ticket prices. They also don’t charge you—or anyone else—more for seeing a movie opening night than on the last day of its run.
So really, Peak Pricing only costs me more money. It doesn’t give the theaters more money or even save you per ticket; the only way you save money is if I don’t buy a ticket.
How crazy is it that you’re incented to save money by making your service impossible and inconvenient to use?
You think you’re in control because you think I’m hooked.
I’m not.
I’m not going to pay for a service that’s inconvenient to use. I already pay for Netflix, cable, Hulu, and Amazon Prime. The attraction, MoviePass, was to see first run movies in a THEATER once a day. If I have to wait to see a movie until you decide Peak Pricing is over, I might as well wait another week and stream it.
Seriously.
You’re driving me to cancel because of the hassle.
How’s that going to work for you?
Besides, there are other fish in the sea.
In no week did I ever see more than three movies. Cost aside, there’s just not that many movies I want to see or have time to spend in a theater. At $20 a month, AMC’s version of a subscription movie pass is a better deal. It allows up to three movies a week, you can see them all in one day if you choose, you can see the same movie more than once, it includes 3D and IMAX movies, there’s no “peak” surcharge, AND you get a discount on concessions and tickets for friends. For me it only takes one “peak” surcharge movie a month and a large popcorn under MoviePass to come out ahead on AMC’s deal.
And that’s too bad. Because the only ones who are going to suffer are the Mom and Pop independents and the indy/art house theaters and movies.
And the makers of Milk Duds.
Sigh.
Oh, MoviePass. It was fun while it lasted, but you’re all talk. Too bad you couldn’t walk the walk, too. The first time I pay Peak prices to sit in an empty small-town theater, it’s over.
Hasta la vista, baby.
by Lehua Parker | Jun 26, 2018 | Adult Fiction, Island Style, Mana'o (Thoughts), Pacific Literature
Mark Panek’s Big Happiness tells the true story of Hawaiian sumo wrestler Percy Kipapa and his tragic murder on May 16, 2005. On the surface, the investigative journalism narrative reads as a mystery, a meditation on what it means to be a modern Hawaiian, and a commentary on the ice epidemic and the tangled Yakuza-Hawaii webs of commerce, money, and prestige. It’s compelling and raw. Knowing one of the key participants personally, I found it both hard to read and tough to put down.
You see, it’s also the story of one of my childhood calabash cousins, Tyler Hopkins.
After I left Hawaii for the mainland, Tyler went to Japan and became best friends with Percy. According to the Mark Panek, who knew the adult Tyler in ways I didn’t, Tyler’s life paralleled Percy’s in every significant way. Big Happiness details how they rose to become professional Hawaiian sumo wrestlers in Japan and what happened after they retired and returned to Hawaii.
I remember when Tyler was first going to Japan. He told me about it at my wedding reception at Mid-Pac Country Club thirty-one years ago, the last time I saw him in person. He was happy, and the extended ‘ohana was excited. Sumo was something my big-hearted and athletic cousin was sure to succeed at. His future was assured. Good for him!
Tyler’s sumo name was Sunahama. Living far from Japan and Hawaii before the age of internet video, it was hard for me to follow his career. Over the years, whenever I met up with my calabash Hawaiian ‘ohana, I asked aunties, uncles, and cousins for updates. Each time I was told he was doing well—first climbing the sumo ranks and then retired and working in Hawaii. Tyler was always on the verge of doing something—tourism with Japanese groups, teaching Japanese, finding his groove as a school counselor, or starting a new business venture.
Fantastic! Omedeto!
In Big Happiness, Mark Panek paints a different picture.
I knew to be a foreign sumo wrestler in Japan would be rough. I knew the pressures local kids face to “make good.” I knew how the ideals of sacrifice of self for a greater good—however that’s defined—were ingrained in Tyler. Suck it up was something our uncles told us all the time, and it applied to everything from wiping out on a wave and spitting sand to breaking a bone playing baseball to studying hard in school when playing seemed more fun to never, ever failing to be loyal to ‘ohana no matter what the personal cost.
I even suspected how the Yakuza would be involved.
But what I didn’t understand was ice. Or how much that changed Hawaii in the years after I left. I also didn’t think too deeply about how few opportunities Tyler would have had once he returned to Hawaii. Unlike Japan, there aren’t cushy jobs in corporate America waiting for retired sumo wrestlers.
I’m old enough to know that there really wasn’t anything I could’ve done to help Tyler. But my heart hurts when I remember the kid I had to swim out and rescue when his raft went out too far at Waimanalo Beach or the time we made homemade pizza and Tyler complained I added too much cheese. “No such thing,” I said. “Yeah,” he said, rubbing his opu and the scar he got when he fell through a glass shower door and almost died, “there is.”
But mostly, I can see all too clearly a moment Mark Panek describes during the trial where Tyler almost snaps. I thank God that Mark intervened.
Big Happiness by Mark Panek is available as a paperback and eBook from Amazon. For anyone wanting an insider’s view of sumo wrestling or the life of local boys in Hawaii, this book is a must read. Compelling, real, and full of heart and tragedy, it’s a story of sacrifice, privileges of race and class, and the devastating effects of ice and all the vested interests in keeping the status quo.
