by Lehua Parker | Sep 23, 2013 | Blog Tours, Guest Posts, & Interviews
Johnny Worthen’s debut novel Beatrysel was recently published by Omnium Gatherum and is available as a trade paperback and eBook from Amazon. (Read my review here.) Beatrysel is a multi-genre melange of occult horror/thriller/love story/philosophical treatise on the nature of man, God, angels, and demons. I caught up with Johnny the other day and asked which came first–did Beatrysel spur his research into the occult or did his research spark the story?
I have this motto to explain why I do what I do: “I write what I want to read.” This at once conceals the fact that as a multi-genre author, I’m all over the freakin’ place – horror here, YA there, comedy coming up behind you fast – LOOK OUT! But this motto applies especially to my debut occult thriller Beatrysel.
One of the reasons I wrote Beatrysel the way I did was because I couldn’t find any fiction titles that looked at or used magic in a non-fantasy way. Magick, with a K, and the occult, are not fantasy. They are real schools of thought, living religion and are still practiced today.
And thus I wrote Beatrysel.
Like my character Julian Cormac, I was moved by the stupid Disney movie, Bedknobs and Broomsticks. It stuck in my head and I wondered as a kid at a Saturday afternoon matinée, if it could be true. This was way before Harry Potter. It was before the internet. Before running water. No, wait. Scratch that last one.
Anyway, it piqued my interest and I did some digging. I stumbled upon a lot of turn of the 19th century stuff, before and right after. Occultism was big back then. Seances and such, but also a new vigor to actually investigate the possibility of the supernatural. That work was what interested me most. One thing led to another and a research hobby was born that led me into dusty book stores for most of my teens and into my forties.
A while ago I was cursed to watch a cluster of my friends all go through divorces at the same time. My sister too and some of her friends fell to the same pandemic. It was awful. I hunkered down, circled the wagons around my own marriage, and watched.
I learned many things from those times. I did not come through them unscathed – the blast radius was too large. But I learned enough and survived better than they. What I was particularly moved by was the depth of raw emotion such traumatic breakups could have on people who had previously been everything to each other. The power was so intense, so alive, so basic that it was easy to imagine it as a living thing, or as my studies suggested, as a spirit. Or a demon.
To explore this, I turned to my books. Occult philosophy – Modern Magick – gave me a real structure with which to bring love into the world as an entity to itself in fiction. By doing it this way I had a familiar mythology and belief system to draw from, one which would be recognized and appreciated by those readers familiar with it. If the reader wasn’t familiar, I knew them to be consistent at least and, hopefully, interesting.
“It doesn’t matter if you believe the world is populated by demons and angels,” a magician once said. “But the universe behaves as if they do exist.”
Watching my friends ravaged by love, the loss of it, the betrayal of it, I came to believe this might be true. It gave me an idea. The idea become will, the will became form.
And thus I wrote Beatrysel.
Connect with Johnny Worthen
Blog: http://johnnyworthen.blogspot.com/
Facebook: https://www.facebook.com/JohnnyWorthenBooks
Twitter: @JohnnyWorthen
Buy the Book: Amazon
by Lehua Parker | Sep 23, 2013 | Blog Tours, Guest Posts, & Interviews
From the dynamic mother-daughter writing duo of Amie and Bethanie Borst comes a brand-new middle grade title, Cinderskella. Here’s what they have to say about their debut book–
Cindy is just a normal 11¾-year-old girl. At least until she wakes up one night and finds out she’s dead. Well, she isn’t technically dead—she just doesn’t have any hair . . . or a nose . . . or skin. Yep—all bones, no body.
Human by day and skeleton by night, Cindy is definitely cursed. And because her mother recently died, Cindy has no one to turn to except a father who is now scared of her and an evil stepmother who makes her do the housecleaning with a toothbrush. To make matters worse, the Spring Fling dance is approaching, and Ethan, the cutest boy in sixth grade, doesn’t seem to know Cindy exists. Of course, Cindy doesn’t think letting Ethan find out she’s part skeleton is the best way to introduce herself.
While facing such perils as pickled pig’s feet, a wacky fortune teller, and a few quick trips to the Underworld, Cindy’s determined to break the curse—even for a single night.
Cinderskella is available for pre-order on Barnes & Noble.
To celebrate, Amie and Bethanie are hosting a $25 gift card extravaganza. Just enter the giveaway for your chance to win.
a Rafflecopter giveaway
by Lehua Parker | Sep 18, 2013 | The Niuhi Shark Saga
Excerpt from One Shark, No Swim available Sept. 21, 2013
Jay and I were putting the finishing touches on our awesomest project ever: a cardboard sled shaped from Hari’s tv box. It was huge. We were sure we’d break land speed records racing down grass hills. We might even catch air.
Char Siu pranced over the curb and struck a pose, hands on her hips and one shoe delicately balanced on its point. “What do you think?”
Jay didn’t glance up. “We’re busy, Char Siu.”
She thrust her lip out. “You never even looked.”
“You’re wearing your Mom’s old church shoes. Why? Did ‘Ilima eat one of your slippahs?” Jay yawned.
“I gotta practice, Jay. Lisa Ling told me all the girls wear heels at Ridgemont.”
Jay turned to me. “You ever see Lili wear heels to school?”
I shook my head. “No.” Our sister Lili was going to be a junior at Ridgemont next year.
“Her friends?”
“No.”
“Sounds like Lisa-kine shibai to me,” Jay said.
“You just don’t know, Jay,” Char Siu said. “We’re not in elementary any more. All the girls our age wear ‘em. You’ll see.”
“Good thing we’re not girls,” I said. “I wouldn’t last a minute walking around in those shoes. Pohō, that.”
“Hard for run li’dat,” Jay said. He looked up at her. “Hard for see li’dat, too.”
“It’s called make-up,” she said.
“I’ve seen make-up. My Mom wears make-up. Lili, too. Her stuff is all over the bathroom. But make-up doesn’t make mempachi eyes li’dat. That’s something else.”
I looked a little closer. Char Siu’s eyes did look bigger, rounder, like she’d opened the door and giant spiders jumped out. One eye twitched and then stuck half open-half closed.
“What’s wrong with your eye?” I asked.
“Nothing!”
“Then why is it sticking to your face like that?”
“Ho!” Char Siu reached up and peeled something off her eyelid. “The stupid Scotch tape won’t stay. I told Lisa it wasn’t right.”
One eyelid looked normal now and the other still looked like it was keeping track of a man-eating bug. She reached up and peeled something off the other eyelid and suddenly she looked normal.
Well, normal for Char Siu.
All excerpts and short stories copyright © 2012 by Lehua Parker. Excerpts from the Niuhi Shark Saga by permission of Jolly Fish Press, LLC. All rights reserved. Illustration by Corey Egbert. No part of these excerpts may be reproduced or reprinted without permission in writing from the publisher. No part of these short stories may be reproduced or reprinted without permission in writing from the author.
by Lehua Parker | Sep 17, 2013 | Adult Fiction, Book Reviews & Announcements
When it comes to love there’s a fine line between passion and obsession, ardor and madness, ecstasy and terror. In Beatrysel Johnny Worthen takes all the shades and flavors of love from filial to sexual and whips them into a frenzied frappe of occult horror, thriller, and philosophical treatise on the nature of man, God, angels, and demons.
Did I mention it’s a love story?
One of the major themes of this novel is that the lover protects the beloved. Beatrysel is a demon created to be the personification of love and brought to this plane by Julian Cormac, a professor who has devoted himself to understanding the magick that underpins our universe. Demons, of course, have their own agendas and all the maturity of greedy children in a candy store. It’s up to Julian to banish his beloved, his child and lover, and end B’s reign of terror.
Of course, the story itself is nothing as straight forward as what I’ve described. Johnny keeps the reader guessing and on the edge of his seat as the story twists and turns. Bad things come to those who want to keep Julian on a cocktail of anti-psychotics and there’s more than one puppet master. To say more would spoil the story.
The writing is quick-paced and snappy, with imagery that not only sings, but at times does the hokey-pokey off the page. Told in omniscient present tense with several major flashbacks, I have to admit it took me a couple of chapters to get into the rhythm of the story, but once you get in the head of the characters, you’re hooked.
I loved the scene where Julian’s sister discovers her husband and a skanky musician in the middle of a tryst. What happens next is outrageous, completely cathartic, and applause-worthy—something every woman secretly wishes she’d give in and do if ever in that situation.
I’m not even going to mention the creepy coffee beans. Let’s just say it’s going to be a long time before I can walk past that section of the grocery store again.
A raw, ragged, and convoluted read, it’s not for the timid. You’ll find yourself turning lights on and checking the locks at night.
Beatrysel by Johnny Worthen is published by Omnium Gatherum and is available as a trade paperback and eBook from Amazon.
Connect with Johnny Worthen
Blog: http://johnnyworthen.blogspot.com/
Facebook: https://www.facebook.com/JohnnyWorthenBooks
Twitter: @JohnnyWorthen
by Lehua Parker | Sep 11, 2013 | The Business of Writing, The Niuhi Shark Saga
The wind-blown look.
Photo-bombed by the horses.
The Producer
Even the cats wondered what the fuss was all about.
I hate getting my picture taken. The photos never look like me, the image of myself that lives inside my head. Frankly, I probably never looked liked the image in my head. I’m a writer. I have a great imagination.
As a writer, I spend most of my days in yoga pants and tee-shirts in front of my computer. It’s a big day if I have to buy groceries and talk to a cashier. Heaven help me if I actually have to walk into the school to pick up a kid.
But occasionally I do have to comb my hair, put some make-up on, find clothes without pukas or stains, and submit to being photographed. Book 2, One Shark, No Swim is about to be launched, so new photos were in order.
The photographer said, “I want to capture you in your natural environment.”
Looking down at my Will Work for Books sweatshirt, ratty stretch pants, hair stuffed in a messy pony, lying on the couch guzzling Diet Coke, I didn’t think he knew what he was getting into. “You mean you want to shoot at the house?” I asked.
“I want the readers to see the real you!”
Personally, I’ve always been a bigger fan of the fantasy. Reality always includes too many dishes, kids with sticky hands, and things that make you go ewww.
As we headed out the door to take some shots, my daughter the rodeo princess looked up. “Your make-up’s nice, Mom. Not too over-the-top. I mean, it’s not a like a Rodeo Clown or anything. Not-too-Momish either.”
“Great,” I said, “glad to know I hit the sweet-spot between hobo and whore.”
“I was going to say New York chic, but now that I look at you, it’s kinda more New York-Mom chic.
I don’t even know what that means. But the fun didn’t stop there. The whole barnyard had to get into the act.
“Let’s try some shots by the aspens” was an invitation to the free-range chickens and guinea hens to peck at my feet, hopeful some old grapes or stale bread would come their way. “How about we try something with your arm on a fence rail” turned into a group photo. “Come here and we’ll sit and review what we’ve taken” was the cue for one of the cats to jump on the photographer’s lap and check out the photos. No, really. You’d have thought the cat was the producer if you’d seen the way he pushed us aside to see the viewfinder.
At one point I realized I was the center of attention for fifteen chickens, two guinea hens, three horses, two dogs, and two cats–and one poor photographer standing on a wrought iron lawn chair to get the right angle. No wonder all the critters were staring.
And wondering where the food was.
Probably should’ve gone with photos of them instead.