#MeToo

#MeToo

playgroundMe, too.

But I’m going to tell you about my now seventeen year old daughter instead.

When she was starting kindergarten at a private school, they had a get to know the parents, classmates, and teacher picnic. At the picnic I overheard a boy tell his friends how much he loved to chase and kiss girls. I said something to his mother and the teacher, who both laughed it off.

On the way home, I told my daughter if anyone tried to kiss her and she didn’t want to, she had the right to say no–loud and long–until they stopped. And if they kept pursuing, she had the right to make them stop. I said she might get in trouble at school at first, but I would never be mad at her and would explain to the grown-ups.

Sure enough, I got a call the first day of school. I walked into the principal’s office and faced an outraged parent, teacher, and principal who wanted to suspend my daughter for punching a boy in the eye—violence and hitting would not be tolerated.

I calmly asked my daughter to explain what happened. She described how this boy was chasing all the girls at recess, knocking them down, and kissing them—and was encouraging other boys to do this, too. She matter of factly said she’d told him she didn’t want to kiss, he told her she’d better run, and she’d said no and if you try to kiss me again, I’ll punch you. He tried, so she socked him. He ran to the teacher, crying. My daughter also said we didn’t have to worry or punish the boy because in her opinion the problem was solved because she didn’t think he would try to kiss her again. Could she go color now? I gave her a hug and sent her out of the room.

I wish I could say the adults—all women—immediately got it, but they didn’t. I insisted that punishing my daughter for defending herself against unwanted sexual advances was exactly the wrong message. Remember, this was supposed to be a progressive, enlighten private school. I ended their boys will be boys defense with my daughter always has my permission to defend herself against assault.

This boy continued to kiss unwilling girls until my daughter taught them it was okay to fight back. She told the girls not to run or cry, but to tell him no and to punch if he didn’t listen. She said sometimes a punch works best, but to use words first. She also said don’t be mad at him, he’ll figure it out eventually.

The wisdom of a five year old.

After a few more bruises and visits to the principal, his parents acknowledged there might be a problem and got him some counseling.

Knowing that you have the right to say no and to defend yourself—and others—is not a magical protection shield. But maybe if more five year olds felt empowered to stand up for themselves, fewer perpetrators would grow up thinking behavior like this is okay.
#metoo

#metoo is hashtag used to to increase awareness of sexual harassment and assault on Twitter and Facebook. The original call for stories looked like this: “If every person who has been sexually harassed or assaulted wrote “Me too” as a status, we might give people a sense of the magnitude of the problem.” In my original Facebook post I left out a very important detail to this story, the part where I wished someone had told five year old me what I told my daughter. For all men and women who get this, thank you. Your voices, examples, and actions make a difference. For those who never considered what happened to them in the hallways or playground as sexual harassment or assault and have now realized that snapping bra straps, flipping up skirts, and chasing girls to kiss them is a forerunner to more serious issues, this can be an eye-opening experience. Let’s teach our children better and resist ideas that downplay these incidents as kids will be kids.

Review by Tales From Pasifika: One Truth, No Lie

3_otnl_hi_resNote: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Truth, No Lie, book 3 in the trilogyTo see the whole review, click here.

Tales from Pasifika Review

Let me start by saying right off the bat that this third volume of the Niuhi Shark Saga is just as good as its two predecessors. It is the perfect conclusion to the whole story and one that will stay in your head for days, making you think about your own life, the choices you make, and the importance of having a loving ohana (family).

I have to admit that the events in this novel took me by surprise. The first few chapters literally hit you like a thunderbolt, and you quickly realize that you probably won’t be able to predict what happens next. And you indeed can’t. The twists and turns are infinite. When you think you know in which direction the story is heading, the plot makes a sudden 180-degree turnaround and you are being left baffled; yet again. There is only one way to find out how the story turns out – you have to keep reading until you reach the last sentence. Which is not a problem, because the narrative draws you in from the very beginning. You become curious and interested, you want to know more. And you simply enjoy spending time in the magical world Lehua Parker has created.

Another reason why the book is so engaging are the characters. Zader, as the protagonist in the trilogy, is the focus of the story. His transformation from a teenager to a responsible young man is perhaps a little too idealistic, but definitely nicely portrayed. You can notice how he has changed from an insecure boy to a brave grown-up; how he has learnt to make choices and decisions and rely only on himself. That’s a great lesson, for children and adults alike.

Other characters are also given moments to shine. Especially Jay, who shows us how to fight through adversity, find positive in life, and never ever give up; and Maka, who lets us understand what it means to finally have something you’ve always wanted to have – a real family. Of course, uncle Kahana, Char Siu, Kalei, Pua, ‘Ilima, and the rest of the group make appearances as well, however they are much less visible than in the two previous volumes.

With this book Lehua Parker once again showed us her enormous talent. Her writing style and the language she uses are beyond compare. Everything – from descriptions to dialogues to wit and sense of humour – is perfectly dosed. Personally, I would prefer to see a bit more Pidgin in each chapter, but that’s not really a reason to complain. I have to say that you read Lehua Parker’s novels with pure pleasure. Whenever you finish one of her books, you instantly want to reach for another.

In the review of the first volume of the Niuhi Shark Saga I confessed that I don’t like children or young adult literature. But this trilogy is an exception. It will make you laugh. It will make you cry. It will make you think. What can you want more?

Mahalo nui loa, Tales From Pasifika! You can find the entire Niuhi Shark Saga on Amazon:  One Boy, No Water, book 1; One Shark, No Swim, book 2; One Truth, No Lie, book 3;  and a companion story Birth: Zader’s Story. More books related to the series coming soon.

Review by Tales From Pasifika: One Shark, No Swim

2_osns_med_resNote: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Shark, No Swim, book 2 in the trilogy. To see the whole review, click here.

Tales From Pasifika Review

Writing sequels is a very challenging task. You have to not only expand the story, but also – or rather more importantly – keep it interesting for the readers. And children, as well as young adults, can be a particularly demanding audience. But for Lehua Parker this seems to be no problem. The second book in the Niuhi Shark Saga is just as good as the first one.

Quite honestly, this volume doesn’t really feel like a sequel. It is simply a continuation of the tale; only this time you go deeper into the world the author has created. Now you are almost like a resident of Lauele Town, who dines at Hari’s and goes surfing at Piko Point every other day. You know the people, you know the place. And you are well aware that there is something going on with one of your neighbours, so you’re dying to finally uncover the truth.

‘One Shark, No Swim’ answers a lot of questions the reader might have had after finishing the previous volume. Zader’s past becomes clearer as new, and interesting, facts come to light. However, if you think that all the pieces in the puzzle will fall neatly into place before you reach the end, you are very much mistaken. Because with every single answer, more questions arise. Who? What? Why? When? Where? You may try to guess, you may try to predict what happens next, but you can’t bank on it. And that is the true beauty of this series.

Now, as the plot unfolds, you become more acquainted with the characters. In this book, Zader leads the way. He is a true protagonists, a central figure of the narrative. And although the story isn’t told in the first person, you see the world through Zader’s eyes. You start to understand what he feels being a ‘different’ kid. You sympathize for him and cheer all the louder when he’s one step closer to discovering his true nature.

Of course, when mentioning the characters, you can’t forget about Zader’s family, especially uncle Kahana. This no-nonsense, wise, and funny old guy, sometimes treated like a big baby by his relatives, is a real star. Himself a man of many secrets, he is a mentor, a teacher, a protector, and a guardian of ancient Hawaiian culture. His complex persona makes him a little unknowable and therefore very intriguing. I wouldn’t mind having an uncle like Kahana, and I think you wouldn’t either.

The engaging plot and great characters are wrapped in beautiful words. Lehua Parker’s writing style is so fine that you can’t help but marvel at what she has created. It is not easy to write a novel that would suit children and adults alike. And yet she managed. The informal language (with an added bonus in the form of Hawaiian and Pidgin), vivid but not overwhelming descriptions, and a perfect dose of humour make this book an ideal read for any age group. No one will get bored, no one will be disappointed. It’s a title for the whole family. But be careful! It is possible that you will fight for the copy, so better buy two; or maybe even three… Just in case.

If you have read the first volume in the Niuhi Shark Saga, you literally have no choice but to read this one too. If you haven’t, you should catch up as soon as possible. Because the books are fantastic. Period.

Mahalo nui nui, Tales From Pasifika! You can find the entire Niuhi Shark Saga on Amazon:  One Boy, No Water, book 1; One Shark, No Swim, book 2; One Truth, No Lie, book 3;  and a companion story Birth: Zader’s Story. More books related to the series coming soon.

Review by Tales from Pasifika: One Boy, No Water

1_obnw_hi_resNote: Tales From Pasifika is a website dedicated to reviewing stories that explore Polynesian and Oceanic cultures and themes. If you’re looking for a good book that fits into the Pacific-Lit category, this is the place. Tales From Pasifika is reviewing the Niuhi Shark Saga. The following is an excerpt from their review of One Boy, No Water. To see the whole review, click here.

Tales From Pasifika Review

I’ll tell you something about myself: I don’t like children’s or Middle Grade/Young Adult books almost as much as I don’t like fantasy/magic realism genre. I decided to give the Niuhi Shark Saga a chance exclusively because it is Pacific Lit. I bought the three titles, but I was still quite (or rather very) sceptical. But then I read a few pages. And a few more. And suddenly I was officially hooked.

So yes, I admit, this is a fantastic book. Lehua Parker wrote a beautiful tale full of magic and authentic Hawaiian vibe. She managed to bring the local legends back to life, giving readers – young and adult alike – a chance to get to know the Aloha State and its fascinating culture. Actually, the references to Hawaiian lore are what makes this novel stand out! It doesn’t deal with werewolves, vampires, or wizards – so omnipresent in today’s popular literature – but draws from the ancient beliefs. So we have sharks, and ti leaves, and the mysterious Hawaiian martial art of Kapu Kuialua (which is considered sacred and taught underground since the mid-1800s). All this definitely makes the story feel fresh, unique, original. And isn’t that exactly what we expect from a good book?

Now, although the novel is somewhat focused on Hawaiian culture, it has several underlying themes that teach valuable lessons, as befits children’s and Young Adult literature. Together with Zader and Jay, readers learn how important it is to have family you can always count on, to do what is right, to overcome your fears, to respect the nature, and to never forget where you come from. You can’t run and hide from your problems; be bold and brave; whatever happens in your life – face it! This is such an inspiring message for young people, who often struggle to find their place. Zader’s and Jay’s experiences will surely give them courage, and uncle Kahana’s wise words the needed moral guidance.

Speaking of uncle Kahana, I have to praise the characters. They are unbelievably well created and defined. From Zader and Jay to Char Siu and the Blalahs to uncle Kahana (who is my favourite), every one of them is a distinct person with a distinct voice and personality. They are complex, plausible, and easy to identify with. They are like us: they make choices and decisions – sometimes good, sometimes bad; they have their dilemmas; they learn from their mistakes. They are ordinary people; ordinary in their extraordinariness.

Of course, it’s one thing to build strong characters, but it’s another to show the relationships between them. Lehua Parker succeeded in doing both. The interactions between Zader and his brother or uncle Kahana, the interactions between the teenagers, and finally the interactions between the adults are incredibly well thought over. They influence the story, making it much more convincing and compelling.

Do you know what else makes this novel so believable? The language – Hawaiian Pidgin, to be precise. You’ll find it in every single chapter and, quite possibly, on every single page. To people who don’t speak Pidgin (or Hawaiian), it may cause some problems, but there is a dictionary at the end of the book, so you can always use it. I think the addition of local creole was a genius idea. Well, you can’t really write a story set in Hawaii and have your characters say ‘Thank you’ instead of ‘Mahalo’, can you?

‘One Boy, No Water’ is a must read. If you have a youngster at home or are looking for a great gift, this should be your number one choice. Because this colorful island tale is engaging and appealing, thought-provoking and amusing, uplifting and wonderfully hopeful. It is like a breath of fresh Hawaiian air taken on a sunny day. Unforgettable and not to be missed. But, let me give you a piece of advice here, buy all three books at once – after the first volume you’ll be hooked; just like me.

 

Mahalo nui nui, Tales From Pasifika! You can find One Boy, No Water and the rest of the Niuhi Shark Saga One Shark, No Swim and One Truth, No Lie and its companion story Birth: Zader’s Story on Amazon. More books related to the series coming soon.

Book Review: Kino and the King by Jen Angeli

Book Review: Kino and the King by Jen Angeli

Kino and the King by Jen Angeli is a middle grade adventure quest set in Hawaii. Cutting to the chase, we need more stories like this one where island kids see themselves as the heroes and Hawaiian culture as something both amazing and ordinary, rather than sensationally exotic.

In the story, 12 year old Kino and her mother move to Hawaii to live with her maternal grandparents in Kalihi, Oahu. With her grandfather ill and her family facing eviction from their home, Kino discovers that she has an ancient destiny to save both Hawaii and her grandfather by going back in time to 1825. There she meets the young Kamehameha III just prior to his ascension to the throne. After meeting with a kahuna at a heiau, it becomes clear that in order to return to her own time,  Kino must go on a quest for four objects gathered from various parts of Oahu—and of course the young prince is going to come along.

As the adventure quest plot unfolds, Jen deftly weaves in aspects of Hawaiian culture and history. Islanders will recognize kapu customs, protocol, and Hawaiian legends such as night marchers, Pele, Kamapua‘a, sacred waterfalls, ‘aumakua, choking ghosts, and magic gourds and calabashes.

1825 is a significant time in Hawaiian history, after the fall of the kapu system and during the first years of the Protestant missionaries’ influence. Hawaii is experiencing the growing pangs of contact with the wider world. In the story there’s a glimpse of the monumental civic and cultural challenges, but Jen is always conscious of her 4th – 8th grade audience and keeps the action moving. Topics are lightly touched upon in a way that can start discussions about these important topics. Kino and the King is respectful of Hawaiian history and culture. Teachers, parents, and librarians will find it provides a springboard for further reflection, study, and inquiry.

But as good as 1825 was, I gotta say I liked the modern conflicts best. Mean girls, romantic interests, class wars, private school snobbery, leasehold vs. fee simple landownership, high cost of living in paradise, afterschool enrichment classes in Hawaiian—it’s all here. Anyone growing up in Hawaii will instantly relate to Kino’s modern world—and those far from home will probably crave spam musubi reading about it.

Readers of The Niuhi Shark Saga books are certain to enjoy Kino and the King. Can’t wait for Jen Angeli’s next adventure.

Kino and the King by Jen Angeli is available in eBook and paperback from Amazon.